We use cookies to make your experience better. To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies. Learn more.
DBX 160 Noise Gate Compressor Hire
Since its introduction in the mid 1970's, the dbx 160 series has been the world's most popular line of audio compressors. The classic 160 is used daily in many world class studios.
Solid construction, fool proof operation, great sound, at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike.
N/A
Additional Information | The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough. Featuring switch-selectable OverEasy® and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy® compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance. The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equaliser for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world entertainer in the mix, or overall characteristics of 4 independent signals or control the gain levelling on a couple of stereo pairs, the dbx 160A is for you. Features OverEasy® or classic hard knee compression with dbx's® ultra-musical program dependent attack and release times Compression ratio variable from 1:1 through infinity :1 to negative compression Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels Over 60dB of gain reduction available Exclusive Infinity+ compression allows negative compression Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load Optional output transformer capable Strappable with another 160A for true RMS stereo summing operation |
---|---|
Main Sub Category | Audio |
Hire product id | 1876 |
FAQ - Frequently Asked Questions about our event hire in Melbourne
Here you'll find answers to our most asked questions. Still can't find quite what you're looking for, or have something we should know? Contact us via the contact form at the top of the page
- Q1: How can i receive a quote?
A1: Click the 'Add to Quote' button on all the equipment you would like to hire and then go to your quote cart at the top of the page and submit it. The more details you give us the faster we can provide a quote for you.
- Q2: How can i contact Wwave?
A2: Simply use the contact us form by pushing the button at the top of every page, use the live chat on our page, or call us on 03 9372 5244 or email us at [email protected]
- Q3: Can i get delivery and event hire equipment setup?
A3: We have delivery options whether its just a simple drop-off or setup of a major event. Our staff have technical knowledge including audio, visual, rigging and power.
- Q4: What are the accepted payment methods?
A4: We accept online card payment with MasterCard, VISA and can take Amex over the phone. Direct bank deposits are also accepted along with EFTPOS and cash at our warehouse.
- Q5: What areas do you service?
A5: We are based in Melbourne but we can service all around the state.
- Q6: What times can i pickup the equipment from your warehouse?
A6: Our open hours for our warehouse in Kensington, VIC are from 9:30am to 5:00pm Monday to Friday. Equipment can be dropped off/picked up during these hours, if it needs to be out of these hours please call and we can make arrangements for that.
- Q7: How many days is the hire for the online prices?
A7: The prices online are for one day or one weekend. If the equipment is needed for more days then we can quote this for you as the prices go up incrementally the more days you have it. Just click the 'Add to Quote' button and tell us the out and back dates and we'll send you over a quote for that.
- Q8: What do i do if i have a problem or a fault?
A8: Although equipment is always checked befre going out, sometimes faults can happen. We have a 24/7 phone line you can call 03 9372 5244 should there be any issues with any equipment.
- Q9: What if i can't find what i'm looking for online?
A9: We're constantly adding equipment to our stocks so if you don't find what you're looking get in contact with us via the contact us form
- Q10: What other services do you supply?
A10: We hire equipment but we also do equipment sales, on site technicians to operate equipment, expert advice and we have music rehearsal spaces.